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Murder in the Cathedral
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Under the direction of visiting lecturer Robert Lanchester, a cast and
crew of 25 brought T.S. Eliot’s play Murder in the Cathedral to the stage
for the Seminary community this past April.
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PTS students play out a harrowing scene
in Murder in the Cathedral.
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Set 100 years after the Norman conquest of England, during King Henry
II’s attempt to consolidate the church’s reign under his own authority by
appointing his friend, Thomas à Becket, to the positions of both
chancellor and archbishop, this play tells the story of Becket’s personal
struggle to keep the powers of church and state separate, and of his
subsequent martyrdom. The script includes four priests, who learn from
Becket and care for him; four tempters, who try to persuade Becket to
grasp all the power offered to him; four knights, who take it upon
themselves to murder Becket for the king; and a chorus, who praise Becket,
worry for their community, and mourn his fate. In an unexpected twist
following the murder, the knights address the audience in an effort to
convince it of the righteousness of their act.
“It’s a very personal and interior struggle the archbishop goes through
in being torn between earthly concerns and a heavenly vision of
martyrdom,” says Lanchester to explain why he staged the play with a
minimum of costuming and set design. “I wanted to keep it very intimate,
and the Gambrell Room in Scheide Hall is beautiful. So I wanted to
emphasize just the speech, the words, the wonderful depth of T.S. Eliot’s
austere and simple play.”
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M.Div. student Donovan McAbee, the Fourth Knight, said, “I am so glad
that PTS places an emphasis on the arts as an outlet of expression to God and
to the audience who comes to the production. The experience was a great
one.”
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